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((((movies and TV shows)))

Karenin

卐 Nazi sympathizer
Barbie (2023) is directed by Greta Gerwig who has no Juden ancestry but is married to a Jew and has a Jewboy son. Greta isn't a Cuckholic but went to a Jesuit school and her experiences there apparently inspired both Barbie (2023) and Lady Bird (2017), a film about how a papist mick whore escaped the small town where she grew up to achieve her dreams of getting blackout drunk in Jew York aka yet another cinematic assault on Gentile morals.
Screenshot_20230727_013521.jpg

-The inventor of the Barbie doll is a Jewess named Ruth Handler who defrauded the IRS. She actually appears in the movie and brings up the defrauding IRS funfact herself.
-Mattel, the company that owns the Barbie IP, was founded by 3 Jews (Ruth, her husband, and their friend) and currently has an Israeli CEO. Funnily, the CEO of Mattel character in the movie is presented as a typical White liberal hypocrite and in a key scene he rants about how progressive he is, even including the sentence "some of my best friends are Jewish!".
-Jewgle search made a Barbie theme that makes the site pink whenever you search for Barbie-related queries like "Ruth Handler jew" and "Mattel jew"
0bc61843387c717f71140ebfac113f1c--friday-night-dinners-friday-nights.jpg

Gilmore Girls (6 seasons) was created by Jewess Amy Sherman-Palladino specifically as a vehicle for the Jewess actress that plays the Paris Geller character, and is bafflingly popular with white roasties when the whole thing is a Jewish mockery of the declining WASP ruling class. Some chick at my former workplace was always watching it during breaks so I looked it up out of curiosity. The very first episode shows Lorelai (single mom roastie) acting entitled as hell and treating townies poorly e.g. being extremely rude to her betabuxxer Luke the local cafe owner and sabotaging the wagie grocery cashier's time card. The show is also famous for its (((pop culture))) references that make zero sense but make its shabbos goy audience feel smart and simultaneously presents a kosherwashed version of American heritage
- In S1E1 Rory (who ended up as a slut and single mom like her mom Lorelai) flirts with Boyfriend #1 by mutual simpering over the movie Rosemary's Baby (by adulterer and rapist Jew Polanski) when they're 16 year olds and have no business watching an R-rated movie.
- In the same scene, Rory praises Moby Dick as a "really good" book when it was roundly rejected by 19th century readers when first published and owes its entire literary reputation to an artificial "Melville revival" by shabbos professors in akikedemia and a Hollywood movie.
- Across several episodes there's constant shilling of the [[[Kennedy]]] family by upper crust Anglo types (like Lorelai's parents) who in reality would utterly loathe these degenerate potato-nigger papists that did more than any other shabbos goyim to nigger-fy America. Edward [[[Kennedy]]] sponsored the 1965 Immigration Act and its diversity lottery visas program, which is directly responsible for the mass immigration of Somalis, Haitians and other Third World shitskins into America.
-Rory's "best friend" at her posh new school is an batshit insane Jewess (Paris Geller) who is openly derogatory towards Rory, and there is no logical explanation for Rory to continue socialising with this cunt although this is a perfect reflection of the entitled Jewish worldview that goys should take abuse from kikes and enjoy it.
-Interestingly, there is one politically incorrect humor where Rory bemoans having to "teach retarded children baseball" to impress (((Ivy League))) admissions officers - it must be an inside joke aimed at fellow kikes, (((they))) are probably cackling at goyim jumping through hoops to demonstrate their holistic worthiness to attend (formerly) prestigious schools founded by White Protestant Gentiles that've been throughly co-opted by kikes.
1a5051f2cc7df09e21343225a32f546d.jpg

A Fortunate Man (2018), or Lykke-Per, as it was titled in the original Danish, is directed by a Jewess and stars a Jewess actress who obviously got a nose job. Plot/spoilers: The protag is a Nordic sperg who hates Cuckstianity because his vicar father beat him, he goes to the capital to STEMmaxx as a civil engineer, then fucked a rich Jewess in order to careermax plus spite his Christian family. Major kekfuel when the rich Jewess turned down a Jewish nice guy and chose to get BLEACHED by Big Nordic Cock. Then he dumped her because he got depressed when he discovered that Jews aren't actually omnipotent and can't help him careermax if he won't stop being a sperg and offending bureaucrats. The Jewess rejected Jewish nice guy a second time after being dumped by Nordic sperg. After leaving the capital in disgrace Nordic sperg went back to his hometown and made 3 white babies with a Nordic Aryan woman but ended up abandoning his family and rejecting all material pleasures to neet in a wood hut in the countryside. Because this is a Jewish film, Nordicuck died a cuck by willing his life savings to the rich Jewess's charity instead of leaving them for his children.
 
And we have yet another movie demonizing Nazis in the form of Oppenheimer. Barbie is worse though because the kikes know that parents will take their kids to watch it and brainwashing children to hate men through a popular brand is a prime example of Juden deviousness.
Its a movie for little girls for fuck sake.
Barbie (2023) is directed by Greta Gerwig who has no Juden ancestry but is married to a Jew and has a Jewboy son.
A kike as a movie director? Wow, that its new.
Greta isn't a Cuckholic but went to a Jesuit school
@nagolbud
 
Barbie (2023) is directed by Greta Gerwig who has no Juden ancestry but is married to a Jew and has a Jewboy son. Greta isn't a Cuckholic but went to a Jesuit school and her experiences there apparently inspired both Barbie (2023) and Lady Bird (2017), a film about how a papist mick whore escaped the small town where she grew up to achieve her dreams of getting blackout drunk in Jew York aka yet another cinematic assault on Gentile morals.
View attachment 2248
-The inventor of the Barbie doll is a Jewess named Ruth Handler who defrauded the IRS. She actually appears in the movie and brings up the defrauding IRS funfact herself.
-Mattel, the company that owns the Barbie IP, was founded by 3 Jews (Ruth, her husband, and their friend) and currently has an Israeli CEO. Funnily, the CEO of Mattel character in the movie is presented as a typical White liberal hypocrite and in a key scene he rants about how progressive he is, even including the sentence "some of my best friends are Jewish!".
-Jewgle search made a Barbie theme that makes the site pink whenever you search for Barbie-related queries like "Ruth Handler jew" and "Mattel jew"
0bc61843387c717f71140ebfac113f1c--friday-night-dinners-friday-nights.jpg

Gilmore Girls (6 seasons) was created by Jewess Amy Sherman-Palladino specifically as a vehicle for the Jewess actress that plays the Paris Geller character, and is bafflingly popular with white roasties when the whole thing is a Jewish mockery of the declining WASP ruling class. Some chick at my former workplace was always watching it during breaks so I looked it up out of curiosity. The very first episode shows Lorelai (single mom roastie) acting entitled as hell and treating townies poorly e.g. being extremely rude to her betabuxxer Luke the local cafe owner and sabotaging the wagie grocery cashier's time card. The show is also famous for its (((pop culture))) references that make zero sense but make its shabbos goy audience feel smart and simultaneously presents a kosherwashed version of American heritage
- In S1E1 Rory (who ended up as a slut and single mom like her mom Lorelai) flirts with Boyfriend #1 by mutual simpering over the movie Rosemary's Baby (by adulterer and rapist Jew Polanski) when they're 16 year olds and have no business watching an R-rated movie.
- In the same scene, Rory praises Moby Dick as a "really good" book when it was roundly rejected by 19th century readers when first published and owes its entire literary reputation to an artificial "Melville revival" by shabbos professors in akikedemia and a Hollywood movie.
- Across several episodes there's constant shilling of the [[[Kennedy]]] family by upper crust Anglo types (like Lorelai's parents) who in reality would utterly loathe these degenerate potato-nigger papists that did more than any other shabbos goyim to nigger-fy America. Edward [[[Kennedy]]] sponsored the 1965 Immigration Act and its diversity lottery visas program, which is directly responsible for the mass immigration of Somalis, Haitians and other Third World shitskins into America.
-Rory's "best friend" at her posh new school is an batshit insane Jewess (Paris Geller) who is openly derogatory towards Rory, and there is no logical explanation for Rory to continue socialising with this cunt although this is a perfect reflection of the entitled Jewish worldview that goys should take abuse from kikes and enjoy it.
-Interestingly, there is one politically incorrect humor where Rory bemoans having to "teach retarded children baseball" to impress (((Ivy League))) admissions officers - it must be an inside joke aimed at fellow kikes, (((they))) are probably cackling at goyim jumping through hoops to demonstrate their holistic worthiness to attend (formerly) prestigious schools founded by White Protestant Gentiles that've been throughly co-opted by kikes.
1a5051f2cc7df09e21343225a32f546d.jpg

A Fortunate Man (2018), or Lykke-Per, as it was titled in the original Danish, is directed by a Jewess and stars a Jewess actress who obviously got a nose job. Plot/spoilers: The protag is a Nordic sperg who hates Cuckstianity because his vicar father beat him, he goes to the capital to STEMmaxx as a civil engineer, then fucked a rich Jewess in order to careermax plus spite his Christian family. Major kekfuel when the rich Jewess turned down a Jewish nice guy and chose to get BLEACHED by Big Nordic Cock. Then he dumped her because he got depressed when he discovered that Jews aren't actually omnipotent and can't help him careermax if he won't stop being a sperg and offending bureaucrats. The Jewess rejected Jewish nice guy a second time after being dumped by Nordic sperg. After leaving the capital in disgrace Nordic sperg went back to his hometown and made 3 white babies with a Nordic Aryan woman but ended up abandoning his family and rejecting all material pleasures to neet in a wood hut in the countryside. Because this is a Jewish film, Nordicuck died a cuck by willing his life savings to the rich Jewess's charity instead of leaving them for his children.
Did you actually watched all these movies or just read the reviews?
 
Option 1: pay money to go see it in a theatre with pop corn and be the only incel guy in the room watching it alone like a weirdo soy cuck

Option 2: hunt the web to find a place to download the movie, and watch it in your coom dungeon basement in the dark while rotting in your shit stained bed
>hunt the web
nigger what is:
>rutracker
>1337x
>rarbg (you can still download rips they made go look it up)
You make piracy sound much more difficult than it actually is. Hell you don't even need to find a torrent site nowadays you can literally just type in Barbie free online streaming and the first result will likely be what you are looking for.
 
More kiked shows I've watched:
parades-end.jpg

Parade's End by BBC, screenplay by ((Sir Tom Stoppard)) alias Tomas (((Straussler))), adapted from a series of four novels by Ford Madox Ford. The protagonist is an Anglo-Dutch Protestant nobleman, Christopher Tietjens (Benedict Cumberbatch), who gets cucked by his papist slut wife (played by a quadroon) then jewed out of his life's work in the Civil Service by (((the usual culprits))) with the connivance of the British establishment half of whom are bedding his wife. Despite her actively ruining his life, Tietjens betabuxxes his slut wife unconditionally, which is presented as the height of Gentile moral rectitude and "upholding traditional English values" jfl.

The Jewboy and BritbongBroadcastingCucks (which is full of kikes including its current chairman https://en.m.wikipedia.org/wiki/Richard_Sharp_(BBC_chairman) ) deleted all the politically incorrect content in the original books by Ford (free online: https://standardebooks.org/collections/parades-end), including
-censored Tietjens saying "nigger" in the literal first 3 pages of the book
Tietjens continued: 'And a first-class public office is very like a public school. It might very well object to having a man whose wife had bolted amongst its members. I remember Clifton hated it when the Governors decided to admit the first Jew and the first nigger.' "
-omitted mention that the character who set out to ruin Tietjens' life was "half Jew" and behaved exactly like typical juden
Ruggles never mentioned a woman whose virtue was not purchasable, or a man who would not sell his wife for advancement. When Ruggles aspersed the fame of a man of family from the north, Mark would stop him with: “Oh, no. That’s not true. He’s a Craister of Wantley Fells,” or another name, as the case might be. Half Scotchman, half Jew, Ruggles was very tall and resembled a magpie, having his head almost always on one side. [...] Occasionally Ruggles would talk of his determination to marry some widow or other with money, or of his influence with people in exalted stations, but, when he talked like that, Mark would not listen to him and he soon returned to stories of purchasable women and venial men.

About five months ago Mark had said one morning to Ruggles: “You might pick up what you can about my youngest brother Christopher and let me know.” [...]

Armed then with this commission Mr. Ruggles appears to have displayed extraordinary activity in preparing a Christopher Tietjens dossier. It is not often that an inveterate gossip gets a chance at a man whilst being at the same time practically shielded against the law of libel. And Ruggles disliked Christopher Tietjens with the inveterate dislike of the man who revels in gossip for the man who never gossips. And Christopher Tietjens had displayed more than his usual insolence to Ruggles. So Ruggles’ coattails flashed round an unusual number of doors and his top-hat gleamed before an unusual number of tall portals during the next week.
-omitted more instances of Ford naming the jude
Their affairs had rather the nature of promiscuity and took place at the country houses where bells rang at five in the morning. Sylvia had heard of such country houses, but she didn’t know of any. She imagined that they might be the baronial halls of such barons of the crown as had patronymics ending in “schen”⁠ ⁠… “stein”⁠ ⁠… and “baum.” There were getting to be a good many of these, but Sylvia did not visit them. She had in her that much of the papist.
-added in several sex scenes that aren't in the original books because one of the many ways kikes destroy gentile societies is with porn https://nationalvanguard.org/2023/02/pornography-as-jewish-activism-and-terrorism-part-1/
-rebranded the wife, a psychopath in the books, as a sympathetic figure whose slutting around is her way of loving her husband (jfl)

(((Strausler's))) blatant censorship of the anti-Semitic element of his source material was actually remarked upon in a newspaper article reviewing the series
Readers of fiction, Howard Jacobson argued at a literary symposium recently, ought to be able to withstand the “expression of an ugly point of view”.

Three cheers to that, and to his insistence that the creation of sympathetic characters was no business of the serious novelist, however distressing some readers seem to find any other kind. It’s one of the thrills of fiction that it can confront us with characters and psychologies that we might actually choose to avoid in life. How else is sympathy to be enlarged, after all, than by enduring contact with the unsympathetic? Jacobson also warned against the danger of liberal self-censorship: “You have to be able to say of the novel that it has free rein – it can go anywhere,” he argued. And again, three cheers to that. So it was slightly uncomfortable for me to read his remarks having just committed – in my own head, at least – exactly the solecisms and naiveties of reading that he was censuring. It happened to me while reading Ford Madox Ford’s Parade’s End.
Ford’s hero Christopher Tietjens is not a sympathetic character, on the face of it, particularly to a reader of liberal sensitivities. He’s testy, superior, contemptuous of modernity and women’s rights. [...] he's also an instinctive anti-Semite. If a Jew cheats you, he’s reported as thinking at one point, “you did not feel the same humiliation as you did if you were swindled by a man of your own race and station. In the one case it was only what was to be expected, in the other you were faced with the fact that your own tradition had broken down.” And however hard you try, it’s hard not to flinch from that.

I don’t know for certain that such details have been airbrushed from Tom Stoppard’s television adaptation, but I doubt you’ll see them for several reasons. The first is that in a novel over 800 pages long Christopher’s disobliging references to Jews would barely fill out a page. And these are not Ford’s prejudices, an integral part of the novel’s vision. They are Christopher’s, an inherited and unquestioned Edwardian verity, as obvious to him as his understanding that you shouldn’t wear evening dress to dinner on Sunday. The second is that anti-Semitism has a special status as a prejudice now.


Somehow you can read Christopher’s arguments against votes for women without the same foil-on-filling jolt that his remarks about Jews delivers. They’re both vintage costumes of mind, authentically represented. But you can’t imagine trying both on for size with the same equanimity. It’s the difference (entirely ahistorically, as far as Ford is concerned) between wearing tweed plus-fours and an SS uniform.

The third reason, though, is because television audiences are already much further along the road that Jacobson fears literary readers have started down. For Benedict Cumberbatch to say such things would, I’m guessing, make it all but impossible for an audience to treat him as the hero of this story, and relatively straightforward heroism is what we demand of our lead characters on screen. They can be flawed, of course, but their flaws have to be sanctioned flaws, and this one simply isn’t licensed anymore.


Television is the poorer for it, I think – less sophisticated, less enabled to present history and humans in all their complexity. In truth, Parade’s End wouldn’t be a hugely different novel without those awkward passages, should some future publisher surreptitiously excise them. But we’d be lesser readers if we didn’t have to absorb and think about them.
 
More kiked shows I've watched:
View attachment 2341
Parade's End by BBC, screenplay by ((Sir Tom Stoppard)) alias Tomas (((Straussler))), adapted from a series of four novels by Ford Madox Ford. The protagonist is an Anglo-Dutch Protestant nobleman, Christopher Tietjens (Benedict Cumberbatch), who gets cucked by his papist slut wife (played by a quadroon) then jewed out of his life's work in the Civil Service by (((the usual culprits))) with the connivance of the British establishment half of whom are bedding his wife. Despite her actively ruining his life, Tietjens betabuxxes his slut wife unconditionally, which is presented as the height of Gentile moral rectitude and "upholding traditional English values" jfl.

The Jewboy and BritbongBroadcastingCucks (which is full of kikes including its current chairman https://en.m.wikipedia.org/wiki/Richard_Sharp_(BBC_chairman) ) deleted all the politically incorrect content in the original books by Ford (free online: https://standardebooks.org/collections/parades-end), including
-censored Tietjens saying "nigger" in the literal first 3 pages of the book

-omitted mention that the character who set out to ruin Tietjens' life was "half Jew" and behaved exactly like typical juden

-omitted more instances of Ford naming the jude

-added in several sex scenes that aren't in the original books because one of the many ways kikes destroy gentile societies is with porn https://nationalvanguard.org/2023/02/pornography-as-jewish-activism-and-terrorism-part-1/
-rebranded the wife, a psychopath in the books, as a sympathetic figure whose slutting around is her way of loving her husband (jfl)

(((Strausler's))) blatant censorship of the anti-Semitic element of his source material was actually remarked upon in a newspaper article reviewing the series
1584648234122.jpg
 
More kiked shows I've watched:
View attachment 2341
Parade's End by BBC, screenplay by ((Sir Tom Stoppard)) alias Tomas (((Straussler))), adapted from a series of four novels by Ford Madox Ford. The protagonist is an Anglo-Dutch Protestant nobleman, Christopher Tietjens (Benedict Cumberbatch), who gets cucked by his papist slut wife (played by a quadroon) then jewed out of his life's work in the Civil Service by (((the usual culprits))) with the connivance of the British establishment half of whom are bedding his wife. Despite her actively ruining his life, Tietjens betabuxxes his slut wife unconditionally, which is presented as the height of Gentile moral rectitude and "upholding traditional English values" jfl.

The Jewboy and BritbongBroadcastingCucks (which is full of kikes including its current chairman https://en.m.wikipedia.org/wiki/Richard_Sharp_(BBC_chairman) ) deleted all the politically incorrect content in the original books by Ford (free online: https://standardebooks.org/collections/parades-end), including
-censored Tietjens saying "nigger" in the literal first 3 pages of the book

-omitted mention that the character who set out to ruin Tietjens' life was "half Jew" and behaved exactly like typical juden

-omitted more instances of Ford naming the jude

-added in several sex scenes that aren't in the original books because one of the many ways kikes destroy gentile societies is with porn https://nationalvanguard.org/2023/02/pornography-as-jewish-activism-and-terrorism-part-1/
-rebranded the wife, a psychopath in the books, as a sympathetic figure whose slutting around is her way of loving her husband (jfl)

(((Strausler's))) blatant censorship of the anti-Semitic element of his source material was actually remarked upon in a newspaper article reviewing the series
But why do you watch Juden entertainment?
 
Barbie (2023) is directed by Greta Gerwig who has no Juden ancestry but is married to a Jew and has a Jewboy son. Greta isn't a Cuckholic but went to a Jesuit school and her experiences there apparently inspired both Barbie (2023) and Lady Bird (2017), a film about how a papist mick whore escaped the small town where she grew up to achieve her dreams of getting blackout drunk in Jew York aka yet another cinematic assault on Gentile morals.
View attachment 2248
-The inventor of the Barbie doll is a Jewess named Ruth Handler who defrauded the IRS. She actually appears in the movie and brings up the defrauding IRS funfact herself.
-Mattel, the company that owns the Barbie IP, was founded by 3 Jews (Ruth, her husband, and their friend) and currently has an Israeli CEO. Funnily, the CEO of Mattel character in the movie is presented as a typical White liberal hypocrite and in a key scene he rants about how progressive he is, even including the sentence "some of my best friends are Jewish!".
-Jewgle search made a Barbie theme that makes the site pink whenever you search for Barbie-related queries like "Ruth Handler jew" and "Mattel jew"
0bc61843387c717f71140ebfac113f1c--friday-night-dinners-friday-nights.jpg

Gilmore Girls (6 seasons) was created by Jewess Amy Sherman-Palladino specifically as a vehicle for the Jewess actress that plays the Paris Geller character, and is bafflingly popular with white roasties when the whole thing is a Jewish mockery of the declining WASP ruling class. Some chick at my former workplace was always watching it during breaks so I looked it up out of curiosity. The very first episode shows Lorelai (single mom roastie) acting entitled as hell and treating townies poorly e.g. being extremely rude to her betabuxxer Luke the local cafe owner and sabotaging the wagie grocery cashier's time card. The show is also famous for its (((pop culture))) references that make zero sense but make its shabbos goy audience feel smart and simultaneously presents a kosherwashed version of American heritage
- In S1E1 Rory (who ended up as a slut and single mom like her mom Lorelai) flirts with Boyfriend #1 by mutual simpering over the movie Rosemary's Baby (by adulterer and rapist Jew Polanski) when they're 16 year olds and have no business watching an R-rated movie.
- In the same scene, Rory praises Moby Dick as a "really good" book when it was roundly rejected by 19th century readers when first published and owes its entire literary reputation to an artificial "Melville revival" by shabbos professors in akikedemia and a Hollywood movie.
- Across several episodes there's constant shilling of the [[[Kennedy]]] family by upper crust Anglo types (like Lorelai's parents) who in reality would utterly loathe these degenerate potato-nigger papists that did more than any other shabbos goyim to nigger-fy America. Edward [[[Kennedy]]] sponsored the 1965 Immigration Act and its diversity lottery visas program, which is directly responsible for the mass immigration of Somalis, Haitians and other Third World shitskins into America.
-Rory's "best friend" at her posh new school is an batshit insane Jewess (Paris Geller) who is openly derogatory towards Rory, and there is no logical explanation for Rory to continue socialising with this cunt although this is a perfect reflection of the entitled Jewish worldview that goys should take abuse from kikes and enjoy it.
-Interestingly, there is one politically incorrect humor where Rory bemoans having to "teach retarded children baseball" to impress (((Ivy League))) admissions officers - it must be an inside joke aimed at fellow kikes, (((they))) are probably cackling at goyim jumping through hoops to demonstrate their holistic worthiness to attend (formerly) prestigious schools founded by White Protestant Gentiles that've been throughly co-opted by kikes.
1a5051f2cc7df09e21343225a32f546d.jpg

A Fortunate Man (2018), or Lykke-Per, as it was titled in the original Danish, is directed by a Jewess and stars a Jewess actress who obviously got a nose job. Plot/spoilers: The protag is a Nordic sperg who hates Cuckstianity because his vicar father beat him, he goes to the capital to STEMmaxx as a civil engineer, then fucked a rich Jewess in order to careermax plus spite his Christian family. Major kekfuel when the rich Jewess turned down a Jewish nice guy and chose to get BLEACHED by Big Nordic Cock. Then he dumped her because he got depressed when he discovered that Jews aren't actually omnipotent and can't help him careermax if he won't stop being a sperg and offending bureaucrats. The Jewess rejected Jewish nice guy a second time after being dumped by Nordic sperg. After leaving the capital in disgrace Nordic sperg went back to his hometown and made 3 white babies with a Nordic Aryan woman but ended up abandoning his family and rejecting all material pleasures to neet in a wood hut in the countryside. Because this is a Jewish film, Nordicuck died a cuck by willing his life savings to the rich Jewess's charity instead of leaving them for his children.

Those are trannies pretending to be Jews. FFS...
 
Barbie is a movie made for delusional middle-aged feminists with the barbie label in order to lure in girls to brainwash them. The woke stuff wasn't put in the trailer on purpose, so that parents would think that it was an innocent movie.
 
Option 1: pay money to go see it in a theatre with pop corn and be the only incel guy in the room watching it alone like a weirdo soy cuck

Option 2: hunt the web to find a place to download the movie, and watch it in your coom dungeon basement in the dark while rotting in your shit stained bed
you make it sound as if everything we do is bad, sounds like incel shaming
 
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